Bio & Headshot
For the last 30 years, Garrison’s professional work and creative life have centered on being a playwright, educating and nurturing playwrights, and administrating a variety of playwriting organizations, educational programs, and theatre companies that promote dramatists and the development of new plays. In 2014, The Kennedy Center for the Performing Arts instituted the National Gary Garrison Ten-Minute Play Award given to the best ten-minute play written by a university dramatist. In April of 2023, Tusculum University instituted the Gary Garrison Award for Ten-Minute Plays for the best ten-minute play written by any dramatist across the country.
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Extended Bio
From 2007-2017, Gary Garrison was the Executive Director of the Dramatist Guild of America – the national organization of playwrights, lyricists and composers headed by our nation’s most honored dramatists. Up to the spring of 2020, he was also the Director of the Dramatist Guild Institute – a premier educational institution dedicated to the continued education of dramatists throughout the country. Prior to his work at the Guild, Garrison filled the posts of Associate Chair, Artistic Director and Master Teacher of Playwriting in the Goldberg Department of Dramatic Writing at NYU's Tisch School of the Arts, where he produced over forty-five different festivals of new work, collaborating with hundreds of playwrights, directors and actors. As a playwright, Garrison’s plays include The Mayworkers, The Unexpected Light On Azadeh Medusa, Too Quick to Pick, Ties That Bind, Skirting the Issue, Caught Without Candy, Game On, The Sweep, Verticals and Horizontals, Storm on Storm, Crater, Old Soles, Padding The Wagon, Rug Store Cowboy, Cherry Reds, Gawk, Oh Messiah Me, We Make A Wall, The Big Fat Naked Truth, Scream With Laughter, Smoothness With Cool, Empty Rooms, Does Anybody Want A Miss Cow Bayou? and When A Diva Dreams. This work has been commissioned by or featured at the Kennedy Center for the Performing Arts, City Theatre of Miami, Boston Theatre Marathon, Primary Stages, The Directors Company, The Theresa Rebeck Writers Residency (through The Lark), Manhattan Theatre Source, StageWorks, Open Door Theatre, Pulse Ensemble Theatre, Expanded Arts and New York Rep. His recent work as guest artist or master teacher of playwriting involve such institutions as the Marfa Intensives, Convivio Writer’s Conference (Postignano, Italy) Sewanee Writer’s Conference, The Kennedy Center Summer Playwriting Intensive, CityWrights of Miami, The Inkwell, Source Theatre in D.C., Baltimore Playwrights Festival, New Hampshire Playwrights Festival, Last Frontier Theatre Conference, Southeast Theatre Conference, Northwest Theatre Conference, Alaska World Arts Festival, Boston Playwrights and has taught at New York University, Boston University, University of Oklahoma, The University of Texas, Hollins University, Goddard College, Texas State University, Texas Tech, University of Southern Mississippi, West Georgia College and the Dramatists Guild Institute. He is the author of the critically acclaimed, The Playwright’s Survival Guide: Keeping the Drama in Your Work and Out of Your Life, Perfect Ten: Writing and Producing the Ten‑Minute Play, A More Perfect Ten and two volumes of Monologues for Men by Men. In April of 2014, The Kennedy Center instituted the National Gary Garrison Ten-Minute Play Award given to the best ten-minute play written by a university dramatist and in the spring of 2016 awarded him the Milan Stitt Outstanding Teacher of Playwriting in the country. In July of this year, he was featured in American Theatre magazine’s The Subtext podcast with Brian James Polk under the title, More Than Ten Minutes with Gary Garrison. www.garygarrison.com
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